Поиск по каталогу |
(строгое соответствие)
|
- Профессиональная
- Научно-популярная
- Художественная
- Публицистика
- Детская
- Искусство
- Хобби, семья, дом
- Спорт
- Путеводители
- Блокноты, тетради, открытки
The Alienated Self in the Plays of Brian Friel. Familial, Political, and Cultural Alienation
В наличии
Местонахождение: Алматы | Состояние экземпляра: новый |
Бумажная
версия
версия
Автор: Mahmoud Gaber
ISBN: 9783639515169
Год издания: 2013
Формат книги: 60×90/16 (145×215 мм)
Количество страниц: 112
Издательство: Scholars' Press
Цена: 34736 тг
Положить в корзину
Позиции в рубрикаторе
Отрасли знаний:Код товара: 123671
Способы доставки в город Алматы * комплектация (срок до отгрузки) не более 2 рабочих дней |
Самовывоз из города Алматы (пункты самовывоза партнёра CDEK) |
Курьерская доставка CDEK из города Москва |
Доставка Почтой России из города Москва |
Аннотация: In the drama of Brian Friel the theme of the alienated self represents a recurrent, central theme that this book attempts to investigate. The line of argument in this work is that the Frielian Characters’ alienation results from their failure to satisfy their human needs, such as the need for love and the need for belongingness, in a gratifying way that conforms to their human nature. Against this premise three of Friel’s dramas – Philadelphia, Here I Come (1964), The Freedom of the City (1973), and Translations (1980) – are analyzed to explore the distinctive way in which the playwright has dramatized the theme of “the alienated self” on three major levels – familial, political, and cultural – which the three plays represent respectively, and how alienation on these three levels is considered the natural outcome of the characters’ failure to satisfy their human needs in the course of their involvement in and reaction to the social, political, and cultural forces around them.
Ключевые слова: drama, literature, Literary Criticism, Irish literature, Brian Friel, Alienation, Alienated Self, Self-fragmentation, cultural estrangement, social isolation