Поиск по каталогу |
(строгое соответствие)
|
- Профессиональная
- Научно-популярная
- Художественная
- Публицистика
- Детская
- Искусство
- Хобби, семья, дом
- Спорт
- Путеводители
- Блокноты, тетради, открытки
The Image of the Enemy in American War Cinema 1915-1960.
В наличии
Местонахождение: Алматы | Состояние экземпляра: новый |
Бумажная
версия
версия
Автор: Andrei Cojoc
ISBN: 9783639665277
Год издания: 2015
Формат книги: 60×90/16 (145×215 мм)
Количество страниц: 72
Издательство: Scholars' Press
Цена: 26539 тг
Положить в корзину
Способы доставки в город Алматы * комплектация (срок до отгрузки) не более 2 рабочих дней |
Самовывоз из города Алматы (пункты самовывоза партнёра CDEK) |
Курьерская доставка CDEK из города Москва |
Доставка Почтой России из города Москва |
Аннотация: Perception is the cognitive function that guides our everyday life. It is through perception that the image of the enemy is born, shaped and later represented. By othering and dehumanizing the different and the other, the unknown becomes singularized and stigmatized. In the twentieth century, no other mean of representing the outside world has prevailed in shaping enemy images than the art of filmmaking. Moreover, as American cinema affirmed itself as the Mecca of cinema, and as the United States became more and more involved in international affairs and conflicts, a film genre had to be created in order to “tell” people who was the ally and who was the enemy, and more important, why they fought. Out of all genres that created adversaries of the nation, war/combat films have the “merit” of creating enemy images techniques that would be used all over the twentieth century. Therefore, during the long relationship between Hollywood and the United States government, the enemy images shown were: the imperialist German, the cowardly Japanese, the Italian victim, the vicious Nazi and the ruthless communist. All these images have been put through the wringer and distributed to the public
Ключевые слова: Cold War, enemy image, Villain, war cinema