Magic Realism in Rushdie's The Enchantress of Florence.

      Аннотация: This book will focus on how Rushdie finds success in recreating a new world by assimilating history, of the East and the West, fantasy, romantic and artistic notions, the narrative technique, the magic, realistic elements and linguistic carnival in by delimiting the terms of Magic realism, Magical realism, and Marvelous realism. Moreover, the book is loaded with real and historical events and figures. Rushdie, popular for his magical criteria indirectly highlights religion both in the form of monotheism and polytheism. It discusses the function of the interplay between ‘real’ and ‘unreal’. This is about storytelling, imagination, mob psychology, female sexuality, and power. The book will imprint its mark into the mind of the readers for its use of anti-feminist theoretic arguments. Perceptions varied from generation to generation and this is the reason behind intermingling the term antifeminism in this book. The book is all about fantasy and its amalgamation with worldly facts holds the readers to finish it off within one attempt. The book will surely differentiate between magic and marvelous realism with the help of various examples of incidents and authors.

Ключевые слова: Magic realism, anti-feminism, identity, Magical Realism, polyhteism, religious realism, imagiantion, Fantasy