Поиск по каталогу |
(строгое соответствие)
|
- Профессиональная
- Научно-популярная
- Художественная
- Публицистика
- Детская
- Искусство
- Хобби, семья, дом
- Спорт
- Путеводители
- Блокноты, тетради, открытки
Deception in Crime Fiction: A Pragma-Stylistic Analysis. Exploring the Strategies of Verbal Deception in Flynn's Gone Girl and Christie's The Murder of Roger Ackroyd
В наличии
Местонахождение: Алматы | Состояние экземпляра: новый |
Бумажная
версия
версия
Автор: Safaa K. Merzah and Nawal F. Abbas
ISBN: 9786204736341
Год издания: 1905
Формат книги: 60×90/16 (145×215 мм)
Количество страниц: 320
Издательство: LAP LAMBERT Academic Publishing
Цена: 44060 тг
Положить в корзину
Позиции в рубрикаторе
Отрасли знаний:Код товара: 716509
Способы доставки в город Алматы * комплектация (срок до отгрузки) не более 2 рабочих дней |
Самовывоз из города Алматы (пункты самовывоза партнёра CDEK) |
Курьерская доставка CDEK из города Москва |
Доставка Почтой России из города Москва |
Аннотация: This study focuses on the deceptive strategies utilized in two well-known novels: Christie’s (1926/2009) detective fiction The Murder of Roger Ackroyd and Flynn’s (2012) psychological thriller Gone Girl. The study of the stylistic idiosyncrasies of Flynn’s Amy, the psychopathic antagonist, and Christie’s Dr. Sheppard, the nonpsychopathic antagonist, is carried out through a pragma-stylistic eclectic model to explicate their deceptive strategies for the fulfillment of their egoistic ends. The qualitative analysis shows that Amy and Dr. Sheppard are expert metapragmaticians; while Amy is a serial liar who employs a plethora of direct deceptive strategies, Dr. Sheppard is a deceiver who principally relies on indirect strategies to inculcate false beliefs in the narratee, as he is cognizant of the power of what is insinuated but left unsaid. The deceptive strategies that are exploited on the two levels of fictional discourse and the two-stage novel structure are neither quantitively nor qualitatively mirror-symmetrical. It is also found that the fashion via which Amy and Dr. Sheppard deceive exhibits linguistic gender differences.
Ключевые слова: Deception, pragmatics, stylistics, pragma-stylistics, Agatha Christie, Gillian Flynn, Gone Girl, The Murder of Roger Ackroyd, vagueness, Equivocation, Lying, withholding infromation, crime fiction, Psychopathy, Psychopath, Hare, Hare Psychopathy Checklist-Revised, Psychopathy Checklist, gendered speech, Lakoff, socioliguistics, hedging, Speech Act theory, Cooperative Principle, deceptive principle, politeness, impoliteness, Brown and Levinson, Culpeper, detective fiction, Falsification, fabrication